The skies of New York City were lit up November 27th through November 29th in 2012 with vibrant shafts of laser light viewable to millions of New Yorkers. Artist Yvette Mattern brought her “Global Rainbow, After the Storm” work to the city, powered by lasers from Lightwave International. Organized in response to Hurricane Sandy, seven beams of high power laser light were projected over communities hit hard by the storm, originating on Manhattan’s lower west side and spanning across Brooklyn toward the Rockaways. The installation aimed to symbolize hope and act as a call to action to support the communities that were devastated by the storm.
Global Rainbow NYC
About This Project
“Global Rainbow, After the Storm” illuminated the night sky and was visible for up to 35 miles depending on atmospheric conditions. Despite its significant range, the lasers used a minimal amount of power, approximately 24 amps or the equivalent of two hairdryers. Global Rainbow has been presented throughout Europe and launched the London 2012 Cultural Olympiad in England and Northern Ireland to rave reviews and massive audiences.
Mattern described her intention in bringing Global Rainbow back to New York, “I hope that seeing this beacon in the night sky will provide people with a sense of peace and security in this time of crisis and that it will unify us with its presence so we remember that we are all in this together, regardless of divisions of class, race, religion and culture.” Doreen Remen and Yvonne Force Villareal, co-founders of Art Production Fund explained, “We have been presenting public art for over a decade and it is rare to come across a project with the ability to reach millions of people in such a short time. Mattern’s Global Rainbow, After the Storm inspired us with its call to action and inspiring vision of solidarity. We look forward to sharing this project with New York.”
Yvette Mattern is a visual artist who lives between New York and Berlin. She holds a Master of Fine Arts degree from Columbia University’s Film Division. Mattern works mainly with video and film, which she fuses with elements of performance, public, art and sculpture. Mattern’s video “Last Day of Magic” was included at the 53rd Venice Biennale Official Satellite Program in 2009, and her work has also been exhibited at the Stenersen Museum, Oslo, Norway; Künstlerhaus Büchsenhausen, Innsbruck, Austria; and Freies Museum, Berlin.